Research Students
Doctor of Philosophy
| andersonS 80x |
Sol Anderson
The Act of Listening, Objects and Noise
W:
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| catena 80x |
Stefano Catena [ DTP with U. Birmingham]
The Language of Music in Space: A Study of
Listeners' Perception to Develop a New
Vocabulary of Sound Movement
W:
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| chafer-80x100 |
Robert Chafer [ DTP]
Creative Frameworks for Future Practice:
Cross-Synthesis of Mixed-Reality and
Audiovisual Composition
|
| Clijsen-80x |
Eddie Clijsen [ DTP]
Practical Explorations of Formalised
Approaches to Microtonal Composition
|
| davidsonR 80x |
Ross Davidson [ DTP]
Applying an Electroacoustic Approach to the
Soundtrack of Narrative Film
W:
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| _blank |
Katie-Jane Howard
Audience Perception of Digital Music Instruments
in Live Musical Performance
|
| kara-80x |
Eva Kára
Writing the Political: Electroacoustic Music
Composition as Ideology
|
| _blank |
Matt London
The Integrated Soundtrack: An Analytical
Exploration of the Auditory Elements of
Music, Sound Design and Dialogue within
Horror Cinema
|
| Palandri_80x |
Christina Palandri [ DTP]
Materialising sound-based composition: exploring
multi sensory perception and audience engagement
between tactile and sonic spheres
|
| Sam Topley |
Samantha Topley [ DTP]
Craft-Focused Electronic Instrument Building
W:
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| Mungo Zhangruibo |
Mungo Zhangruibo
Assisting the Development of the Field of EA
Music Studies in China
W:
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Masters by Research (MA or MSc)
| _blank |
Joe Hitchen
|
| Parker 80x |
Kris Parker
Exploring the Potential and Means for Making
Original Electronic Music to Enrich our Experience
of Historical Silent Film
|
| rogerson-80x |
Matt Rogerson
Sensory Overload: Noise, Mind, Emotion
|
| Snape-80x |
Connor Snape
Fundamentals of Adaptive Audio Design
in an IDM Context for Video Games
|
| JoeStillwell 80x |
Joe Stillwell
Interdisciplinary Improvisation
|