Alumni
Degrees
If you are an alumnus who would like for us to link to your web page — or correct an existing link — please email the MTI2 Web Master (see the Contacts page).
Doctor of Philosophy
Stewart Worthy – 2024
Sebastiano Gualtieri – 2024
James Frize – 2023
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Andreas Katsiavalos – 2023
Marinos Giannoukakis – 2022
Marij Van Gorkom – 2021
Audrey Riley – 2021
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Susanne Grunewald – 2021
Asher Arnon – 2021
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Luigi Marino – 2021
[M4C DTP PhD based at University of Birmingham]
Revisiting a Relational Approach to Electronic Music Performance
Francisco Marti Pérez – 2020
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Takuro Lippit – 2020
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Steve Jones – 2020
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James Kelly – 2019
Robin Parmar – 2019
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Amit Patel – 2019
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Simon Waite – 2019
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Maya Verlaak – 2019
[M3C DTP Scholar based at Birmigham Conservatory]
Embodying Context During the Music Compositional Process…
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Virginie Viel -– 2019
Louise Rossiter – 2017
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Kerry Francksen-Kelly – 2017
Manolis Manousakis -– 2017
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David Holland – 2016
Neal Spowage – 2016
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Marinos Koutsomichalis – 2015
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Luca Forcucci – 2015
Panos Amelides – 2015
Ben Ramsay – 2015
Michael Gatt – 2015
David Gray – 2014
Nasia Therapontos – 2013
Jerry Fishenden – 2013 - via the Institute of Creative Technologies
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Andrew Hill – 2012
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Motje Wolf – 2012
Katerina Tzedaki – 2012
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Ian Wilcock – 2012 - via the Institute of Creative Technologies
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Lorenzo Picinali –2010
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Robin McGinley – 2009
Ximena Alarcon – 2007
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Rick Nance – 2007
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Richard Hemmings – 2005
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Sophy Smith – 2005
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Robert Weale – 2005
Master of Philosophy
Jack Richardson – 2020
Masters by Research in Music, Technology and Innovation
Mihai Traista – 2021
Robotic Sculpture in Trans- media Composition using Sound and Movement
Samuel Thomas – 2021
Investigating Untutored Perception in Visual Music
Rob Chafer – 2021
Time–Event–Space: A Creative Exploration of Techniques in Multichannel Audio-visual Composition
Calum Vaughan – 2020
Semi Real-time Use of Markov Chains in Algorithmic Electronic Dance Music Performance
Sam Warren – 2019
Relationships Between Electronic Music and Movement Practice
Samantha Topley – 2017
Wearable Technology in Music and Performance
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Simon Smith – 2016
Re-creating Diffusion Performance Practices from an Exploration of Listening(s) Experiences
David Gurney – 2016
Considerations and Practice of Creating and Implementing Effective Game Sound Design
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Chloe Cutler – 2013
Enhanced Learning with an Innovative Instrument in KS2 Music Education
Annelie Nederberg – 2012
Notions of Corporeality in Electroacoustic Music
David Holland — 2012
Can a listening strategy be used to increase the appreciation of Electroacoustic Music
Master of Arts in Music, Technology and Innovation
Becky Gray – 2021
Binaural on Streaming Platforms: Headphone Use and Genre Characteristics Enhanced with Binaural Audio
Harri Bettsworth – 2021
Exploring how Uncanny Sound can Trigger Fear in a Video Game
James Reynolds – 2021
Bolton-Crick: Soundscapes from the Somme
Jacob Myer Braslawsce – 2021
G.R.A.S.P, G.R.A.V.D. and Waveset Distortion: The creation of three unique applications and their role in the creation of ‘uhu47’ and ‘How Beautiful My Life Could Be If You Were Here’
Sean Carroll – 2009
Mapping Gestural Motion in Dance to Algorithmic Composition
Nilesh Champaneri – 2008
Composition Using Sampling Methods
Robin Foster – 2009
Live Performance and Improvisation in Electronic and Computer Music
Michael Gatt – 2009
The Art of Composing Site-Specific Sonic Installations
Paul Jones – 2009
Algorithmic composition, Instrument Design and Gestural Mapping to Sound
Jeff Mettlewsky – 2009
Mixed Instrumental and Electronics Composition, Aesthetics
Tasha Roberts – 2009
The Use of Noise in Electronic Music: The Ideas in Glitch
Nasia Therapontos – 2009
Spatialization of music in electroacoustic and sonic art works
Artur Walaszczyk – 2009
Sound design; electroacoustic music - reception and interpretation; soundscape and acousmatic multichannel composition
Andrew Hill – 2008
Composing the Metaphor: Investigating Suitable Strategies for the Composition of Electroacoustic Audio-visual Artworks
James Kelly – 2008
'Technology Hacking': DJ Technology and Appropriation
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Amit Patel – 2008
Turntable Performance And Sound Diffusion
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Neal Spowage – 2008
Marrying the Dynamics of Performance and Live Electronic Music Production
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Masters by Independent Study
Tony Seaton – 2014
Radiophonic: The music of Delia Derbyshire; Pedagogic: Understanding electroacoustic music at A Level
Gary Blakemore – 2012
The Sonic 'Germ': A Compositional Investigation
Mark Herdman – 2012
The Preserving Machine: Is it Possible to Hear a Novel?
Adam Newman – 2010
On The Auditory Road - An audio adaptaptation of Jack Kerouac's "On the Road"
Gez McCoy – 2010
Spatialisation, live electronics and the multi-pickup electric guitar
Russel Michael Harmon – 2011
The Integration of Guitar Performance and Live Electronics: the Circuit Bent Guitar
Bec Gorman – 2008
Composition for Film and Animation
Robbie Lockwood – 2008
Electroacoustic Composition
Chris Cousin – 2008
Electronic Music Composition and Performance
Ioanna Pappa – 2007
Performance Studies and Education
Shammi Pithia – 2007
Pitch Perception and Human Emotion, Its Relevance in Classical Indian Music and its Application in Film Music
Alexis Ffrench – 2007
New Opportunities in Music Technology from a Pedagogical and Musician's Point of View
Serena Alexander – 2007
Composing For The Voice With Electronics And Sound Diffusion
Roger Barker – 2008
Postmodern Popular Composition and The Mix As An Artform
Philip Mead – 2008
Composition for Piano and Electronics
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Matthew Moore – 2008
Exploring and Extending the Aesthetic and Technological Boundaries of the Talking Book
Thom Corah – 2008
LabTop: An Instrument for the Integration of Live Electronics into Composed Music
Dimitris Moraitis – 2008
Exploring the Use of the Human Voice and Text
Peter Wilkinson – 2008
PLASMA (Progressive, Living And Synthetic Musical Apparatus)